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Materials are the physical elements that were combined or deposited during a <br /> particular period of time and in a particular pattern or configuration to form a <br /> historic property. The choice and combination of materials reveal the preferences of <br /> those who created the property and indicate the availability of particular types of <br /> materials and technologies. Indigenous materials are often the focus of regional building <br /> traditions and thereby help define an area's sense of time and place. A property must <br /> retain the key exterior materials dating from the period of its historic significance. If the <br /> property has been rehabilitated, the historic materials and significant features must have <br /> been preserved. The property must also be an actual historic resource, not a recreation; a <br /> recent structure fabricated to look historic is not eligible. Likewise, a property whose <br /> historic features and materials have been lost and then reconstructed is usually not <br /> eligible. <br /> Workmanship is the physical evidence of the crafts of a particular culture or people <br /> during any given period in history or prehistory. It is the evidence of artisans' labor <br /> and skill in constructing or altering a building, structure, object, or site. Workmanship <br /> can apply to the property as a whole or to its individual components. It can be expressed <br /> in vernacular methods of construction and plain finishes or in highly sophisticated <br /> configurations and ornamental detailing. It can be based on common traditions or <br /> innovative period techniques. Workmanship is important because it can furnish evidence <br /> of the technology of a craft, illustrate the aesthetic principles of a historic or prehistoric <br /> period, and reveal individual, local, regional, or national applications of both <br /> technological practices and aesthetic principles. Examples of workmanship in historic <br /> buildings include tooling, carving, painting, graining, turning, and joinery. Examples of <br /> workmanship in prehistoric contexts include Paleo-Indian clovis projectile points; <br /> Archaic period beveled adzes; Hopewellian birdstone pipes; copper earspools and <br /> worked bone pendants; and Iroquoian effigy pipes.4 <br /> The 601 Marshall project will not demolish, destroy, relocate or alter 611 Middlefield Road or <br /> 620 Jefferson Avenue so the project will therefore not affect the aspects of integrity related to <br /> location, design, materials, and workmanship. The question is whether the project will alter <br /> the immediate surroundings such that it would affect the resources' historic integrity. The aspects <br /> of integrity that relate to the immediate surroundings of a resource are its historic setting, <br /> feeling, and association. This does not refer to the current setting. <br /> According to the National Register of Historic Places5: <br /> Setting is the physical environment of a historic property. Whereas location refers to <br /> the specific place where a property was built or an event occurred, setting refers to the <br /> character of the place in which the property played its historical role. It involves how,not <br /> just where,the property is situated and its relationship to surrounding features and open <br /> space. Setting often reflects the basic physical conditions under which a property was <br /> built and the functions it was intended to serve. In addition, the way in which a property <br /> 11 <br /> ATTY/RESO.3048/HRAC RESO RECOMMENDING 601 MARSHALL STREET EXHIBIT A <br /> REV:01-16-15 VR <br />