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06/27/2016 B. Appropriate locations may include, but are not limited to, vehicular entryways to the property, plazas, greenbelts and building fa�ades. The location selected should allow reasonable accessibility to the art. The location shall be exterior and installation of the art piece shall enhance the art and allow for unobstructed public viewing from as many angles as possible; C. The art shall be proportional to the scale of the development and designed to create an artistic, visual, and aesthetic impact upon observers. Particularly in locations on major thoroughfares and major intersections, the art should be of such size and nature as to strengthen the urban design and aesthetic quality of life in the community; D. The art shall be conceptually compatible with the immediate environment of the site; appropriate to the function of the site; and compatible within any unified design character or historical character of the site; E. Appropriateness of the materials, textures, colors, and design to the expression of the design concept; F. Representation of a broad variety of tastes within the community and the provision of a balanced inventory of art in public places to insure a variety of style, design, and media throughout the community that will be representative of the eclectic tastes of the community; and G. Preservation and integration of natural features with the project. Sec. 45.070 General Rules for Art in Public Places. A. Private Sites for Art in Public Places. No work of art financed or installed either wholly or in part with City funds or with grants procured by the City shall be permanently installed on privately owned property without a written agreement between the City and the owner specifying the proprietary interests in the work of art, binding the owner to the general rules for art in public places, and specifying other provisions deemed necessary or desirable by the City Attorney. Additionally, such written agreements shall specify that the private property owner shall assure: 1. That the installation of the work of art will be done in a manner which will protect the work of art and the public; 2. That the work of art will be maintained in good condition; and 3. That insurance and indemnification will be provided as is appropriate. B. Consultation with the Artist. Installation, maintenance, alteration, refinishing, and moving of art in public places shall be done in consultation with the artist whenever feasible. C. Inventory of Art in Public Places. The Director of Parks, Recreation and Community Services shall maintain a detailed record of all art in public places, including site drawings, photographs, designs, names of artists, and names of architects whenever feasible. The Director of Parks, Recreation and Community Services shall attempt to give Page 6 of 13 ATTY/ORD.429/PUBLIC ART FUND AND PROVISION OF PUBLIC ART BY PRIVATE DEVELOPERS ORD.N0.2424 REV:06-17-16 JS MUFF N0.301