Laserfiche WebLink
<br />l\~\Y <br /> <br />To: <br />Subject: <br /> <br />Michael Church and Pat Webb <br />Redwood City Theater Analysis <br /> <br />October 26, 20ûO <br />Page 2 <br /> <br />. <br /> <br />Movie production for first-run movie theaters is a viable industry. According to the <br />Motion Picture Association of America, the number of new movies released annually <br />has exceeded 350 each year since 1982, with an average of 421 new releases per <br />year. <br /> <br />On the supply side of the equation, the emergence of the megaplex theater complex (with <br />anywhere from 14 to 30 screens in one location) has been widely recognized as making "going <br />to the movies" a more positive experience for the movie-going public. <br /> <br />Although movie attendance is at a 40-year high, there is an oversupply of movie screens <br />today. From 1980 to 1995, 10,168 new screens were added in the U.S., an average of just <br />fewer than 700 annually. But the explosion in megaplexes added another 10,000 screens <br />from í 995 to 1999 (more than 2,000 per year). <br /> <br />Therefore, despite the overall health and expansion of the theater industry, severàl major film <br />exhibitors have recently filed bankruptcy petitions or are considered to be at risk. The <br />bankruptcy filings are a consequence of the confluence of a number of factors, including: <br /> <br />. <br /> <br />New state-of-the art megapfex theaters causing older movie theaters to be <br />noncompetitive; <br /> <br />. <br /> <br />Difficulty in closing alder, non-competitive cineplexes; and <br /> <br />. <br /> <br />Chains being too aggressive in opening new megaplex theaters and entering into <br />unsupportable leases. <br /> <br />In retrospec!, many of t~ese difficulties were caused by either the operator's over-expansion, <br />or conversely, operators that did not expand sufficiently/did not strategically expand. In both <br />extremes, certain operators have become out positioned in the marketplace. <br /> <br />The industry anticipates that the turmoil will continue for 2+ years, and will be marked by <br />further closing of obsolete theaters, possible mergers and bankruptcies, and restructuring of <br />expensive leases. It is overwhelmingly believed that the end result will be a stranger, more <br />viable film exhibition industry. Below is a snapshot review of the current status of several <br />major operators. <br /> <br />Bankruptcy Petitions Filed (Geographic area of influence) <br /> <br />United Artists Theatres (nationwide) <br />Carmike Cinemas (midwes!, southeast, northeast, ncr1hwest) <br />Edwarcs Theatres Circuit, Inc. (Southern Califomia) <br />Silver Cinemas (Landmark art houses) (nationwide) <br />